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summits hung over its recesses. Their icy and glittering
peaks shone in the sunlight over the clouds. My heart, which was
before sorrowful, now swelled with something like joy; I exclaimed,
“Wandering spirits, if indeed ye wander, and do not rest in your narrow
beds, allow me this faint happiness, or take me, as your companion,
away from the joys of life.”
As I said this I suddenly beheld the figure of a man, at some distance,
advancing towards me with superhuman speed. He bounded over the
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to admit. To write a commentary on Homer is not my present aim; but if I
have made Pope's translation a little more entertaining and instructive to
a mass of miscellaneous readers, I shall consider my wishes satisfactorily
accomplished.
THEODORE ALOIS BUCKLEY.
_Christ Church._
POPE'S PREFACE TO THE ILIAD OF HOMER
Homer is universally allowed to have had the greatest invention of any
writer whatever. The praise of judgment Virgil has justly contested with
him, and others may have their pretensions as to particular excellences;
but his invention remains yet unrivalled. Nor is it a wonder if he has
ever been acknowledged the greatest of poets, who most excelled in that
which is the very foundation of poetry. It is the invention that, in
different degrees, distinguishes all great geniuses: the utmost stretch of
human study, learning, and industry, which masters everything besides, can
never attain to this. It furnishes art with all her materials, and without
it judgment itself can at best but "steal wisely:" for art is only like a
prudent steward that lives on managing the riches of nature. Whatever
praises may be given to works of judgment, there is not even a single
beauty in them to which the invention must not contribute: as in the most
regular gardens, art can only reduce beauties of nature to more
regularity, and such a figure, which the common eye may better take in,
and is, therefore, more entertained with. And, perhaps, the reason why
common critics are inclined to prefer a judicious and methodical genius to
a great and fruitful one, is, because they find it easier for themselves
to pursue their observations through a uniform and bounded walk of art,
than to comprehend the vast and various extent of nature.
Our author's work is a wild paradise, where, if we cannot see all the
beauties so distinctly as in an ordered garden, it is only because the
number of them is infinitely greater. It is like a copi